5 Great Lines from Susan Elizabeth Phillips – Kiss an Angel

5 Great Lines from Susan Elizabeth Phillips – Kiss an Angel

1

“The next time I hear a women going on about how neurotic men are, I’m going to remember this. You tell me you like my body, and what do I say? I say, thank you. Then I tell you I like yours and what do I hear? A long lists of grievances.”

2

“What are you gonna do, angel face? Stab me with your eyebrow pencil?”

3

“In case you still haven’t figured it out, he loves you. Your tiger will be back in the morning, and you can thank me anytime. Now, do I have to paint another picture for you, or do you think you can take it from here by yourself without screwing up?”

4

“I take thee… to be my awful wedded husband”

5

“I don’t love you anymore”, she whispered. “I don’t love you at all.” His throat closed. “It’s all right, sweetheart. I love you enough for both of us.”


Ava Delany
The Fetish Club Series, The Homecoming Series, and The Beginnings Series.
Look for my newest release- A Surprising Day – on Kindle, Allromanceebooks, and many other places where ebooks are sold.

Guest – Karen Frisch

Please welcome back our monthly guest, Karen Frisch.


The biggest challenge for a writer isn’t always the hero or heroine. Sometimes it’s the villain, who can be difficult to disguise. We have to hide him in plain sight, making him part of the action and absorbing him into the story like any other character.

The big problem: getting him to blend in without sticking out like a sore thumb so the reader can point to him and say, “There’s the killer!” Like a hot potato, he is often the character the writer doesn’t want to touch. We’re just as afraid of him as his potential victim is. Even if the main character discovers at the end that he is the character she should have avoided, writers don’t have that option.

Portraying the villain sometimes becomes more of a struggle than the actual writing when the author doesn’t fully understand the character. If an author reacts to the challenge by avoiding the bad guy, leaving him until last, he becomes that much harder to conceal. Since knowing his story allows the writer to get control, it makes sense to develop the story backward and plot the end first. His motivation creates the actions the main character must react to because his is the story that drives the novel.

Years back, when I was working on the story that would become my first published mystery, Gail Eastwood, one of my critique partners at the time, said after finishing the novel, “I never would have guessed the killer—and that’s both good and bad.” Being too subtle is as much a flaw as being too obvious, and it’s up to the author to maintain a delicate balance in selecting how and where to leave clues without being either. We have to wrestle the monster into submission in order to get inside the villain’s head.

In his book How to Write a Damn Good Mystery, James N. Frey describes the murderer as the author of “the plot behind the plot.” In order to know the murderer intimately, Frey recommends keeping a journal in the character’s voice. To make him three-dimensional, the villain must have a selfish interest about which he is passionate. He lives his life with intentions, good or otherwise, just like all characters. In other words, the better we know the devil, the more we can control him.

Psychologists recommend that people learn to face their fears in order to overcome them. A writer’s presentation of the character who is most elusive is among the biggest. Knowing him as well as we know ourselves makes him life-sized once again, bringing him back under our control—right where he belongs.

Karen Frisch’s historical romance What’s in a Name is currently available from Avalon Books. Also available are the Victorian mystery Murder Most Civil and the Regency romance Lady Delphinia’s Deception. She’s also written two genealogy books: Unlocking the Secrets in Old Photographs and Creating Junior Genealogists, both available from Turner Publishing or on Amazon.

Bring on the edits!

Edits! Edits! And more edits!

Yep, it’s that time again where I’ve been working my tush off getting books back to my editors for final polishing. Being a writer is hard work!

I have two books coming out in the very near future, one in March from Silver Publishing and another from Sizzler Editions, which my Sensei is editing as we speak. So I will be pretty busy next few weeks.

Valentine’s day was just yesterday! I got a wonderful dinner from my Valentine and a whole lotta lovin’, ; D. Yep not ashamed to admit that even at my rip old age of forty-two, I still get my groove on!

Got some new material because of it too! (wink, wink)

Anyway hope y’all had a wonderful Valentine’s Day and may all your days be filled with love, health and good times!

Here is a belated Valentine’s day “treat” for your viewing pleasure! I know it’s not chocolate, but I think it will do! ; )

“Tag! You’re It!”

by Kay Springsteen

If you were a director, or producer, would you make a movie that was nothing but a blank screen and a bunch of people talking? Maybe every once in a while a light would come on and show who was speaking so people wouldn’t lose track. Would that help?

How about a book? Would you write a book that was nothing but dialogue with an occasional “said John” or “Jane said,” tossed in?

Your characters have a lot to say. And it’s up to you to sort through it all and help them say it. Now, as the story teller, the writer has a fair idea of how things are unfolding. The writer hears it as the character is saying it, sees it happening as the character does it. The writer knows what the characters feel, what they think, what plans they may be making. The reader has only the knowledge the writer imparts. So a writer may have a firm grasp of the scene, but the reader starts out with absolutely no clue.And that’s where the writer’s job come in. The writer advances the story through action, thinking, dialogue, and narrative, all wound up into a presentable package that the readers shouldn’t want to put down until they get to the last page.

To set up mood in a scene, there is nothing better than action. Clenching fists, punching a wall, stalking away — great demonstrations of anger. Biting fingernails, lip chewing, fidgeting in the seat, shuffling from one foot to the other — great depictions of nervousness. The author can use dialogue here as well. “Where do you think you’re going?” or “I’m not sure I want to.”

In the past, extensive use of dialogue tags and adjectives conveyed the tone to the reader. “Where do you think you’re going?” he demanded angrily. The most recent trend has been to eliminate all but the most common dialogue tags and to limit the use of adjectives, especially those ending in -ly. In the light of this trend, how can the writer make certain the emotions are communicated? With the tag and the adjective eliminated, we have the simple statement: “Where do you think you’re going?” The words themselves show a possible degree of firmness. If two people are in an argument and this statement is used, there is little doubt the words are said with at least a somewhat angry tone. But to emphasize it, the writer has the option of inserting an action. Actions, when used in passages with dialogue are the punctuation that explains the emotion. “Where do you think you’re going?” He grabbed her arm and jerked her back against him. “Where do you think you’re going?” He slapped his palm on the door and slammed it shut before she got it all the way open.

But what if the tone is not meant to be angry? “Where do you think your’e going?” he asked playfully. Take off the tag and the adjective and add an action and the picture becomes crystal clear. “Where do you think you’re going?” With a chuckle, he hooked an arm around her waist and pulled her back into his embrace, tickling her until she burst into helpless laughter.

The actions in your story give the readers a visual to go with the audio they are reading. Combining action in dialogue passages not only keeps the reader immersed in the story but also keeps the story from becoming stagnant and motionless.

Hanging out with Sue Brown

1. Welcome to the blog. We all want to know what’s going on right now with your writing career. What’s simmering in the pot, and what have you recently finished.

*deep breath* The Layered Mask, my first Regency, and Light of Day, the sequel to The Night Porter, got published last week. Stolen Dreams and Complete Faith, the sequel to Morning Report get published in the next three months. Empty Sands, my summer fluff, is half way complete. Various other stories partly completed. Is that enough?

2. If you could date one of the heroes in your books, which would it be? What features make you like him the most?

I would date Rich from Nothing Ever Happens. He’s not the main character, but he is the hero. I’ll say no more about him but if you read the book you’ll understand why.

3. Can you give us an excerpt from one of your books?

Blurb: James Trenchard is a dick. Everyone in Bingwell, Brock, and Bacon says so, and after Ethan’s first encounter with the man, he agrees. Ethan resolves to avoid James but ends up working closely with him and discovers the lawyer’s hiding a secret from the world. Ethan also realizes he’s falling too hard too fast. Ethan has to decide if he should help James and risk getting entangled in the mess James has gotten himself into, or move on. But walking away from love is never a simple decision to make.

Excerpt: 
“Trenchard is a dick. Unless you’re a chick. Then he’s the only one with a dick. The rest of us might as well not exist.”

There was a rumble of agreement around the coffee room at Vince’s vehement rhyming declaration.
Ethan looked around at the other assistants, as they nodded in agreement. As the newest employee of Bingwell, Brock, and Bacon, the largest advertising agency in the city, he had no idea who Trenchard was, or what he had done to offend the senior administrator. He noticed the small, secretive smile that curved the lips of several women in the room, as they stared down into their coffee cups. Ethan had the impression she knew a lot more than she was giving away.

Vince curled his fingers around his cup so tightly Ethan feared that it was going to crack. “Do you remember last year with Antonia from the third floor?”

“Heck, yes.” Paul chimed in. “He was all over her the second we walked in the building.”

“And she went out to dinner with him.” Vince’s tone was bitter. “When I asked her to go out for a drink, she laughed at me. Then Trenchard raised his eyebrow, and she was dropping her panties before you could say slut.”

Paul shrugged. “Yeah, but he’s James Trenchard, Vince. If he asked you out, you’d be dropping your panties even faster.”

Ethan waited for Vince to explode. He was, as far as Ethan was aware, a full-on heterosexual male, albeit an arrogant douche who had the women running for the hills.

Instead, Vince bit at his fingernail, before saying, “Nah, probably not.”

“Who is this dude?” Ethan asked, totally confused.

Vince gave him a look. “He’s James Trenchard.”

As if that was supposed to explain everything. By the way they all nodded again, maybe it did.
From the way they said James Trenchard, Ethan wasn’t sure what he expected. The Messiah, perhaps? In all the years his mom forced him to go to church, no one told him that he’d meet the Messiah at Bingwell, Brock, and Bacon.

* * * * *

In the lobby, as James Trenchard greeted Leanne Cauldwell, the administration director and Ethan’s boss, Ethan stared at him, trying to see the attraction. Sure, the guy was good-looking, almost beautiful even, for a guy in his mid-thirties, with sleek, light brown hair that curled over his collar, and ice-blue eyes framed by long lashes. Those lips wouldn’t look out of place on a woman, except, on Trenchard, they didn’t look effeminate. He was wearing a charcoal gray, pinstripe suit, with a plum-colored shirt and tie. Ethan noticed how well the suit pants showed off Trenchard’s ass. The lawyer seemed friendly enough. Ethan wondered what he’d done to warrant the enmity of Vince Lines.

Up until the moment Trenchard let the door bang behind him, right into Ethan’s face.

“Told you so.” Vince’s nasty whisper floated behind Ethan.

The guy was a dick, no doubt about it. Not a word of apology for almost rearranging Ethan’s nose, then Trenchard ignored them all as they used the elevator to the tenth floor. Ethan stared at the lawyer’s back with dislike, his top lip curling as James Trenchard openly flirted with Ethan’s boss.
Ethan felt sickened, the way Trenchard’s hand rested on her lower back as he guided her toward the conference room. What was worse, Leanne “Lay-one-finger-on-me-and-I’ll-bust-your-balls” Cauldwell was positively blooming under Trenchard’s sleazy charm. She had just giggled—giggled—at something he said.

But as the lawyer showed Ms. Cauldwell into the large, airy room, he looked over his shoulder to the men following them, Ethan included.

“Your boys get prettier every year, Lulu,” Trenchard said conversationally. “Especially that large one. He’s so young.”

The large one, of course, had to be Ethan; he cleared most of the men by at least half a foot. And he wasn’t fucking pretty. Especially not with a door imprint on his face. Unimpressed at being reduced to the level of a thirteen-year-old girl, Ethan rolled his eyes at Vince and Paul.

He noticed Ms. Cauldwell hadn’t even bothered to look at her team. “You batting for the other side this year, James?”

“I bat for everyone,” Trenchard said, then showed his perfect, white teeth.

Ethan imagined Trenchard sinking them into Ethan’s shoulder, even as he sank his cock into Ethan’s body.

Ms. Cauldwell snorted. “I bet you do. Well, my boys are pretty and clever, so don’t you forget it. Don’t make the mistake of thinking they’re just for show.”

Trenchard swept a glance appreciatively over the small group of men; his gaze lingered on Ethan’s face. “Oh, I won’t underestimate them, Lulu; I definitely won’t.”

And didn’t Ethan just know Trenchard was talking to him. He wanted to punch him in the face.

“I don’t think your boy likes me very much.” James confided to Ms. Cauldwell as they sat down.

“Mr. Williams has good instincts,” Ms. Cauldwell said.

Ethan resisted the urge to preen a little.

“I’m sure he does.” Trenchard drawled.

The rest of them spread around the table. Ethan didn’t know how it happened but somehow he ended up on the opposite side of the table from the lawyer. His temper rising, he avoided looking at the man’s smug face; instead, his gaze fell on Trenchard’s hand wrapped around a fountain pen. Long fingers tipped with well-manicured hands—strong hands. Ethan wondered what they’d look like around his dick. Flushing guiltily, Ethan looked up, to catch Trenchard smirking. Hastily averting his eyes, Ethan caught Ms. Cauldwell staring at them with a resigned expression.

“For heaven’s sake, put him down, James.” Ms. Cauldwell sounded more resigned than angry as she tapped her fingers on the table impatiently.

Trenchard leaned back in his chair. “I haven’t touched him, Lulu.”

Ethan wondered if he was the only one who could hear the yet.
“He’s off-limits. Mr. Williams, if you could actually concentrate on our meeting?” Her tone made it clear that it wasn’t a question.

His cheeks grew even hotter. Ethan muttered his apologies. He could feel the amused stares of all his colleagues except for Vince, who glared at him from farther down the table. Ethan looked up to see Trenchard still gazing at him, as if he were a succulent piece of prime rib.

Ethan was grateful when the meeting actually started, which diverted attention away from him. As the meeting progressed, he was unwillingly impressed. Trenchard knew his business. Nothing got past him as he went through each file. Ethan managed to acquit himself adequately when it came to his turn, answering all of the lawyer’s questions competently. Some of his colleagues didn’t fare so well. Ethan winced as Trenchard shredded Vince for a mistake that cost the agency thousands of dollars.
By the end of the meeting, he was feeling more relaxed and able to handle himself. That complacent feeling lasted until he felt a warm foot travel up his calf. From the angle of the foot, it could only be Trenchard. Ethan was pinned like a butterfly on a board as the silk-clad foot tiptoed its way higher, until it rested neatly in his groin.

Trenchard’s mouth moved as skillfully in his detailed discussion on why the agency would get screwed by Disney if they used a phrase in a technical manual as his foot did in its detailed exploration of Ethan’s groin.

Unable to move, unable to say anything, Ethan bit his lip as his traitorous cock sat up and begged for attention. He couldn’t even shove Trenchard off without drawing attention to himself. There was absolutely nothing he could do, as slowly, inexorably, he drew closer to climax. Just as his balls drew up tight, screaming for their release, the foot disappeared.

In shock at his denied orgasm, Ethan watched in horror as the lawyer pushed back his chair and stood.

“I think we’re done for the day, Lulu. Good work, everyone.” Trenchard’s gaze swept around the room. He gave a brief smile. “I believe there is lunch in the boardroom. I’m sure the sandwiches aren’t too stale.”

Everyone stood, except Ethan; he clutched his pen so tightly it was in danger of snapping. So close to coming, a puff of wind could’ve set him off.

“Mr. Williams, are you coming?” Ms. Cauldwell raised an eyebrow at her associate’s lack of motion.

Most likely, he thought desperately, as he gave her a wild-eyed, “Yes, ma’am.”
“I’ll leave you to collect the files, then you can join us in the boardroom.” She pushed back her chair, not giving a hint that she knew of his predicament.

“Yes, ma’am.” He repeated himself, not moving a muscle. Trenchard, the bastard, left without even a backward glance at Ethan.

Paul gave him a puzzled look but obediently handed over his file, the others following suit.

Angry as fuck, Ethan grumbled, alone in the conference room with a pile of files in front of him, his erection hardly subsided since that bastard left him hanging. He wanted to get his cock out and jack off. Get it over and done with. Only he couldn’t do that, so he had to wait until his boner had gone down enough for him to walk without a limp. He’d be lucky if there was any food left by the time he got there. Ethan ground his teeth in frustration.

When he finally could show himself in public and walk into the boardroom, his prediction proved accurate. The food platters were empty, the only things left a few pieces of limp watercress. Ethan groaned inwardly. It would be late evening before he had a chance to eat again.

“Here.”

Someone thrust a plate into his hand. Not expecting it, Ethan dropped the pile of files in his arms. The sandwiches miraculously stayed on the plate. The room went silent for a moment, then everyone burst into laughter.

“Dear me, Lulu, you really picked a good one this time.”

Ethan could hear Trenchard’s mocking tone over the laughter. He sank to his knees to pick up the files, but not before putting a sandwich in his mouth, just in case they got taken away. Paul immediately joined him, reaching out for a file that had slipped farther away.

“I’m so sorry, Ethan.”

“Huh?”

“I saved you some food. I should have waited until you’d put the files down.”

“So you should, Mr. Vicini. It seems Mr. Williams can’t manage two things at once. Multitasking is obviously not one of his skills.”

Ethan looked up to see Trenchard standing over him, that stupid, mocking smile still on his handsome face. Glaring at the lawyer, he got to his feet, files in hand.

Throwing caution to the wind, Ethan leaned forward and lowered his voice. “I am perfectly capable of managing two things at once, Mr. Trenchard, just as you seem to be. It’s really a shame you’ll never have a chance to discover that for yourself.”

He took satisfaction in the fleeting look of disappointment that crossed the lawyer’s face.

His boss watched them from the sidelines, wearing a peculiarly satisfied expression.

“I think I’ll take the files back to the office, Ms. Cauldwell.” He didn’t really care if this was against protocol.

She nodded, that odd look still on her face. “Good idea, Mr. Williams.”

He took another sandwich from the plate Paul still held; he was hungry, after all, then left the room, thankfully without tripping, a shred of his dignity still intact.

As he left, he heard his boss say quietly, “One for my team this year, I think.”

James gave a short laugh. “Not on your life, Lulu. This is just the opening salvo. Williams is just a kid. He could never stand to play with the big boys.”

And didn’t Ethan just hear the emphasis.

Ethan was a short hop from dropping the files and walking back in to plant his fist in James’ face.
“Honestly, Lulu, you’re going have to up your game if you think you’re going to beat me.”

“James, one day you might just get what’s coming to you.”

“Never gonna happen.”

Humiliated and furious, Ethan stabbed at the elevator button. The guy was a lawsuit waiting to happen. Who the fuck did he think he was? If Ethan didn’t need his job so much, he might have called the bastard’s bluff. Except he wouldn’t have, because God, that foot had felt good on his cock.

Yes, Mr. Trenchard, you are a total dick.

~~~~~
4. This is an age old question that every author has to answer about 20,000 times. What got you into writing, and how old were you? Thirty-nine and eleven months, waking up to see Captain Jack Harkness kissing the real Captain Jack in Torchwood. Watch the clip on Youtube. You’ll soon see why I was writing three days later.

5. If you couldn’t be a writer, what would you do with your life? No idea. I found my niche.

6. Do you have a day job that interferes with your ‘real life’ as an author? I’m still finishing my theology degree so not at the moment. Between my family, my degree, looking after a sick family member and life… everything interferes.

7. Tell us something unique about yourself that we don’t know. Um… um… I started to play the trombone as a kid… bloody useless at it.

8. Bacon or ham? Bacon sandwich with Levi Roots’ Reggae Reggae sauce.

9. Chocolate or Jelly Beans? Chocolate: hands down my favourite food.

10. Now that we’ve gotten to know you, we need to know where to find you so we can stalk, I mean visit you.

Shamelessly objectifying men here: http://suesdailymale.blogspot.com/

Talking about my writing and promoting books here: http://suebrownsstories.blogspot.com/

Rambling about everything else here: https://www.facebook.com/suebrownstories

 

5 Great Lines from Suzanne Brockmann, Out of Control

5 Great Lines from Suzanne Brockmann, Out of Control

1

“I’ve been talking my ass off for more than an hour now, telling you shit no one’s ever heard anything about, hoping that I’ll say something, Jesus God, anything that will convince you to have sex with me.”

2

“If you want, I can carry you—”
“I’m fine,” she said shortly. “Let’s go.”
He’d said that wrong. He should have said, “I want to carry you.”

3

“You love me,” he said. “That’s all I need to know.”
“You always say the right thing,” Savannah told him, her eyes so filled with love that he almost wept. “Sometimes it takes you awhile to get to it, but you always get there, and what you say is always worth waiting for.”

4

““I’m going to carry you now,” he told her, “so we can move even faster. I’m not asking you, I’m telling you. Any response from you is unnecessary and unwelcome.”

5

“This wasn’t Weirdville, this was fricking Wonderland. Alice here was all grow up, but she was still chowing down on too much of that psychedelic mushroom.”


Ava Delany
The Fetish Club Series, The Homecoming Series, and The Beginnings Series.
Look for my newest release- A Surprising Day – on Kindle, Allromanceebooks, and many other places where ebooks are sold.

The F-Bomb and Other Manuscript Intrusions

I write mainly sweet romance and I enjoy doing so. I do, however, read a mixture of books at a variety of graphic levels. I ask of the books I read only that they make sense and that the elements included be present to show characterization or to move the story forward. When something is placed in a story simply because it’s a trend the writer appears to be cashing in on, it becomes obvious to me, and it detracts from the story. This is true in terms of sexual explicitness, graphic language, and even paranormal elements.

Characterizing a hero or heroine as a sailor-style cursing fiend doesn’t mean that you have to demonstrate every graphic curse in thought or dialogue. In fact, a few peppered words will leave a greater impact on the reader than if every page is filled with cursing. The F-bomb I’m referring to in this case isn’t the one you might be thinking of. It’s F-requency. If you use a word or type of word too frequently, the reader will begin to gloss over it and when you need it to increase the meaning or signal increased tension/danger/heat, you won’t have anything left. This holds true whether your character uses graphic cursing or fluffy words.

I’ve often seen questions from other writers – How much is too much ___ (insert topic)? They are looking for the easy formula. How far can they go in sexually explicit scenes? How much foul language can they include? All publishers have guidelines. These range from very strict to fairly lax. So the easy answer to these questions is know the publisher you’re aiming at.

On a personal level, however, in my capacity as a writer, crit partner, and editor (at two very different publishing houses), as well as in my role as a reader, the best advice I can give a writer is to develop your writing skills so as not to rely too heavily on any one element in your craft. Learn how to show the rough side of your hero without having every other word out of his mouth be the F-bomb (the original meaning). Learn how to show the sensual side of your heroine without having her lose her clothing at every turn. Unless the story is completely about sex, sprinkling some sexual tension throughout the book is great but pages and pages of sexual encounter between two mutually attracted cops while the bad guys are out robbing banks does nothing for your story. When you do have a hot scene to include, the one that counts (that is, the one that shows the change in relationship between the hero and heroine) will have much greater impact if you haven’t written five of them previously in the same story.

And lest folks think I’m picking on the more graphic genres, anything can be overused. It doesn’t have to be those elements which lead a story to be classified as high heat or graphic language. Comedy can miss the mark when used too frequently. Convenient coincidence can be too convenient. Too much mystery can leave a reader with too much confusion.

Remember, the F-requency Bomb is not your friend. Overuse of any story element only creates boredom in the minds of your readers. Be creative in the way you show things, and always be on the lookout for the next trend YOU can set.

Happy writing, happy reading!

Yes a new title coming soon…

Coming soon from Silver Publishing, my new contemporary erotic romance, titled Personal Tutor…

Daniella is a middle-aged newly divorced and extremely depressed ex-sociallite who accepts a bargain for two weeks of sex with a sexy rich younger man.

Little does she know that the bargain includes not one but two gorgeous brothers bent on making her see that she is still very desirable.

Here is an excerpt to wet your appetites,

“Daniella?”

The deep voice sent shivers down her back. Daniella turned around. Her heart leapt to her throat. Standing before her was a young man, no doubt in his mid twenties, with tussled blond hair that was a bit too long to be considered proper, but not long enough to look delinquent.

His face, gorgeous, tanned with ice blue eyes, full lips and a flawless complexion.  Her eyes traveled down the long lean body, snuggly covered with a black button down shirt, left un-tucked. A well-developed body was evident through the fabric. He wore gray jeans and black biker boots to complete the outfit.  Daniella shook her head slightly to snap out of the sudden trance.

“Yes…can I help you?”

His eyes met hers. He smiled and she almost fell to the floor. He took a few steps towards her.  She noticed he was at least six inches taller, which put him at about the six-foot mark.  Reaching around her he pulled out the chair for her and stepped aside.  Daniella sat, still staring at him curiously.

After he took his seat, they sat there staring at each other for an awkward moment.  He finally broke the silence.

“I guess I should introduce myself. Name is Trace Bentley and I’m the guy who put the ad in Swingers and Flingers.”

Daniella shook her head in disbelief, “You’re the twenty-five year old virgin?”

He chuckled, “Well yes and no. I put the add in after breaking up with my girlfriend of three years.”

Daniella sat back, suddenly feeling a bit insecure, “Why?”

Trace looked down, his expression a bit contrite; “I was really upset over it. She broke up with me for an older man.  She told me, it was because older guys know how to make love not just fuck.” His cheeks brightened with color.

Although Daniella wasn’t actually happy about been caught off guard like this. She felt a bit of compassion for Trace. Still, he was being extremely presumptuous.

“So you figured, putting a ad in an adult magazine would nail you an older nympho, that could teach you how to ahh…‘make love’…”

She really hadn’t intended to sound so sarcastic, but this whole charade felt like some college student’s attempt at tagging a “cougar”. And she was not a cougar.

Trace looked embarrassed, “I would be lying if I said no. Honestly, I hadn’t thought anyone would even answer the ad. In fact I thought it had been canceled.”

“So why didn’t you just tell me that when I called.” Daniella stood to leave.

“No, Daniella wait. I would like to offer you another deal.”

Honestly, she would have just left him sitting there with egg on his face; however, he looked like a lost little puppy. Plus she was very attracted to him. Even though he was a jerk. Something tugged inside  nudging her to sit back down. She gave in.

“Okay Trace, what’s this deal?”

His face lit up like a kid getting a favorite toy. “I want to still pay you for your companionship.”

Daniella rolled her eyes, “Isn’t that the same deal you offered in the ad?”

Trace reached across the table and took her hand in his, “Yes exactly the same. But I want to know what it’s like to be with some one with more…uhm experience.”

She pulled her hand away and got up, swinging her purse over her shoulder, “No thanks Trace, I’m not gonna be your experiment in “cougar ville”. She walked away.

Almost out the door, Daniella felt a hand on her shoulder. She turned ready to blast the asshole. When she saw it was Trace, she sighed loudly, “I’m not interested.”

He didn’t seem to get it. “I wasn’t either until I saw you.”

Did she hear him right? “Excuse me?”

Look for this new release on March 3, 2012. Until then, happy reading and I’ll be back next week with a little less “shameful self-promo” ; )

Emma

5 Great Lines from Elizabeth Hoyt, Wicked Intentions

5 Great Lines from Elizabeth Hoyt, Wicked Intentions

1

“Like the legless man, I’m unaccountably fascinated by those who can dance.”

2

“Every word you have ever uttered, is engraved upon my heart.”

3

“If he presses, tell him it’s a female matter. That stop any question.”

4

“You’ve used me to punish yourself, haven’t you?”
He watched dawning realization spread over her face, a confirmation more positive than anything she could ever say, and that arrow twisted deep in his
chest. Yet still he had to ask the last question.
“Am I anything to you but a punishment?”

5

“I’d walk through fire for you,” he rasped, his voice hoarse and broken. “I have walked through fire for you.”


Ava Delany
The Fetish Club Series, The Homecoming Series, and The Beginnings Series.
Look for my newest release- A Surprising Day – on Kindle, Allromanceebooks, and many other places where ebooks are sold.

The Thumper Rule

Mark Twain

by Kay Springsteen

Three rules in life get me by. The first is The Thumper Rule (“If you can’t say anything nice, don’t say anything at all.” The second is The Mark Twain Rule (also known as the anti-moron rule: “Better to remain silent and be thought a fool than to speak and remove all doubt.”). And the third is the Common Sense Rule: If you don’t like it, don’t look.

The above was part of a response I gave on the blog of a family member, and about an entirely different subject than I’m about to discuss. However, as I was preparing my article, it was my memory of these words that kept surfacing.

Have you ever made an impulse purchase of a stranger’s book? Maybe it was on sale and you picked it up on a whim. You may have paid 99 cents or $1.99, and you took a chance, not knowing anything about the author, never having read anything by him or her…but the blurb intrigued you enough to make the purchase.

And from the first page, you hated the book, maybe even didn’t finish it. If you had plucked the book off the reduced rack at Barnes & Noble or the endcap of the book aisle at Walmart, would you have found a way to review the book? To tell others far and wide to stay away from this book because you felt it was shoddily written and the author shouldn’t quit his/her day job?

Most people probably wouldn’t go out of their way to post a review of a physical book. At most, we might say to a friend, “Man, I read a terrible book I just picked up at the store.” Out of all my friends and family, I can honestly say, no one has ever said to me, “I just bought a horrible book.” I have, on the other hand occasionally heard these same people say things like, “I just read a fantastic book—you should get it.”

For some reason, I’m noticing the opposite is true regarding reviews of books purchased on line. Actually, more than just books, but since I’m a writer and this is a blog about books, I’ll stick to that. Sales sites like Amazon, Barnes & Noble, and others encourage book ratings and reviews. And some of the reviews I’ve read on these sites range from glowing to downright mean—sometimes about the same book. You can chalk a lot of the glowing ones up to possibly being from friends and family trying to help the author out—even thought that is NOT necessarily the case.

But what’s with the mean reviews? Do readers really feel the need to warn fellow readers away from a book because it’s “that bad”? When I read reviews that stress “not worth the money,” or “don’t waste your time,” I admit to feeling a bit surprised. Obviously the book made SOME impression on the reader if he/she took the time to go to Amazon and write even a short review. But truly, what is the motivation behind a bad review that is not only bad but delivered in an unkind manner with no explanation of why the reviewer didn’t like the book? I’ve taken to clicking on “see all my reviews” on some of the more cruel reviews and have been outright shocked to find that quite often the reviewer in question ONLY writes 1-star reviews with a mean-spirited feel to their words. I’m going to leave you all to draw your own conclusions about that because I don’t understand it myself—there could be any number of motivating factors for such behavior but I can’t condone any of the reasons I can think up for being mean about a review.

The key words in any review are often not even written – “in my opinion.” And yet that’s all reviews are—the opinions of our readers. As authors we’re advised to enjoy the good reviews and let the bad ones roll off our backs. It’s not always easy, since sometimes there seems to be no rationale behind the low scores. But you know what?

As a READER who also writes and sometimes reviews, I try to recognize that what I like or don’t like may not be what someone else likes or

Thumper, what does your father say?

doesn’t. So if I found a story lacking to the point where I can only give it 1-2 stars out of 5, I apply the Thumper Rule (see above).  I do this as a courtesy to a fellow writer—rather than throw them over the cliff and dash them on the rocks below, I simply don’t comment. I do this whether I know the person or not because I believe just because a particular book is not MY PERSONAL cup of tea, someone else may not feel like that.

And while some reviewers may rationalize that they are compelled to give 1-2 star reviews so others will not waste time and money, I invite them to show some compassion and explain their reasons with their opinions for two reasons: (1) So the author can get some quality feedback, and (2) so other readers can decide for themselves whether what you found to be an impediment to your enjoyment will be a problem for them.

How about you? Do you review books? Do you have a personal review policy?

Kay is an author of edgy-sweet romance, a Sr. Editor at Astraea Press and part of the editorial staff at Secret Cravings Publishing. Find her on Facebook.

Lady With a Duel Personality – Tabs/Jaydyn Both Equally Wonderful

LTR: Welcome to the blog. We all want to know what’s going on right now with your writing career. What’s simmering in the pot, and what have you recently finished.
TABS: Gosh, it has been a busy few months for me. I recently signed on with a new publisher, Secret Cravings Publishingwho has agreed to republish my previous books. So that has been a very busy project getting them all reformatted. Witch’s Brew was just released in an extended version and Witch’s Heart is soon to follow along with the rest of series and whatever new books I write. What’s in the pot? So many things, I need more hours in the day and night. WILD, of course, the final installment in my Montana Men Series written under my Jaydyn Chelcee name. It will be my newest, previously unpublished novel to date and I expect it’ll be out much later in the year, along with the re-release first four novels in the series. I’m also in the middle of writing my first Sci/Fi and I’m loving it.LTR: If you could date one of the heroes in your books, which would it be?TABS: Beyond doubt, Dym, from Witch’s Touch, book six in the series and yet to be published. What features make you like him the most? Even though he is the Prince of Death, I like his vulnerability. He’s kinder than he thinks he is, and he has a heart, though he believes he doesn’t. I think readers will love getting to know his character.LTR: Can you give us an excerpt from one of your books?Sure. WARNING: R-Rated: Witch’s Brew Excerpt:

Saylym flinched as his mouth closed hotly around the aching bud. He suckled strongly, nipping the nipple with his teeth. Heavens. She was headed straight to hell.
“Strawberries and cream,” he whispered, and swirled his tongue around the aching bud.
Oh, yeah, straight to hell in a handbag. No directions required. Free passage. She had her boarding pass. All she had to do was get aboard.
Talon wasn’t a man to play favorites. He moved to the other breast, bit gently on the straining little berry, then soothed the slight sting with an expert flick of his incredible tongue.
“Sweet,” he breathed and fed deeply, rolling the nipple beneath his tongue, savoring the delicious taste of her.
Without conscious thought, Saylym slid her fingers into the silky strands of his dark hair and held him against her bared breast. “I…uh…oh…stars,” she cried as he brought his full weight on top of her.
He felt divine and smelled like sin. Rich, inviting sin. He moved his hips in a slow, rhythmic thrust as old as time itself. Slowly, he pressed her knees apart and allowed the hard ridge to settle snugly between her thighs as he rocked gently, moaning against her breasts.
Saylym felt his fingers slip to the waistband of her shorts, release the metal button and zipper, and then dip inside. “I have to touch you, La-Scheme,” he whispered against her throat. “Let me touch you.”
“Ah…I…” she gurgled, unable to form a complete sentence.
The cutoffs fell away with a brush of his hands. She saw his pupils dilate. His nostrils flared at the sight of the tiny, studded arrow pointing the way.
He choked.
Not that he needed direction, she thought wildly. He seemed to be blazing his own trail pretty darned well.
Talon slowly followed the direction of the glittering arrow with his index finger, paused at the very tip of it, before sliding underneath to stroke the tiny bud hidden beneath the red satin.
“Ah…I…” she couldn’t seem to get past those two words as she arched her body against the slow stroking of his finger. He slipped a second finger inside her, gently stretching her, stroking smoothly in a steady rhythm.
Saylym bucked beneath his touch as he explored the silken sheath of her womanhood. She felt him hesitate as he bumped against the proof of her purity. He muttered something, then slid a hand beneath her buttocks, lifting her hips. Slowly, he stroked the tiny button with his thumb, his fingers thrusting and stroking the velvet heat within.
She moaned, clawing at his shoulders, his hair. “Talon,” she gasped his name. Her body convulsed wildly. “I-I…”
“That’s it, baby,” he encouraged. “Come for me, Saylym. I want to feel you unravel.”
A tiny whimper slipped past her throat. He stroked faster, deeper. She shattered in his arms, her body quaking as he held her tightly. “Ssh…it’s all right, baby. It’s all right.”
Tiny whimpers escaped her throat as he withdrew his fingers. “Ssh,” he whispered, pulling her close to his bare chest, rocking her until she settled. “I need you, Saylym.”
She pressed her face against his warm flesh and wondered vaguely when he’d taken off his shirt. Or had she removed it?
She couldn’t halt the moan as he lowered her to the quilt and started over.
His tongue found the underside of her breasts, and he paused to lick her there, before moving slowly down her stomach, straight toward Beulah Land. He paused at the waistband of her thong.
Whimpers of desire tore from her clogged throat. Excited, she waited to see what he would do next. He poured wine on her stomach and then followed the red trails with his tongue, pausing to sip from her bellybutton, swirling and dipping his tongue into the tiny opening.
She couldn’t move. She couldn’t breathe.
Her body burned as if he’d set fire to it. She wanted him to touch her again. To bring her to that delicious fever pitch and take her over the edge. He glided his tongue down her belly. Any second now she’d do a slow burn, melt into a puddle of steaming, wine-flavored liquid.
The man knew what he was doing.

* * * *

The man was insane with need.
Talon sucked in a deep, ragged breath. She was driving him crazy with those sexy little mewling sounds she kept making. Wildly hungry with desire, he knew he played with fire. And the more he played, the more he wanted to play, and he knew, damn it, he knew, he didn’t dare seek his own release or things could get way out of hand.
Still, he pushed her to the brink, to the very edge of completion with his fingers. His mind roared with the clawing need to be inside her.
Saylym moaned. “Please.”
“My intent is to please you, lovely Saylym. That has always been my objective.”
Talon raised his head and stared down into her passion-clouded eyes. Oh, how he wanted to kiss her. The need was so urgent, so overwhelming, he felt as if he was going to shatter into a thousand pieces.
He fumbled with the zipper on his jeans, released his blood-engorged cock and rubbed it against the portal of her womanhood. He swore he’d take it slow. Just a little. He’d enter her just a little, enough to give them both a taste of the raw heat and friction building to fever pitch between them. Enough to gain his own release, but not so far he couldn’t pull back, stop before he was too deep, stop, before he came inside her.
He tore the thong down her legs and tossed it to one side. Then settling between her thighs, he nudged her knees wider apart. The broad head of his cock stroked against the warm channel of her womanhood. By degrees, he pushed inside her, slowly stretching the sensitized muscles.
He rocked gently, working the tip in and out, going a little deeper with each penetration, until the head of his shaft bumped against the flimsy barrier of her virginity. Though he yearned to rip through the fragile membrane, he restrained the urge to thrust. Instead, he pulled back and teased her with the broad head of his cock, slow and shallow, rocking in and out in a torturous rhythm that was delicious agony for both of them.

LTR: And, yeah…muscles, um…virgin flesh? R rated? Nah…..yummy!

This is an age old question that every author has to answer about 20,000 times. What got you into writing, and how old were you?

TABS: *Giggles*…I never tire of this question. I was fifteen. My imagination and Marty Robbins’ Ballad, Big Iron On His Hip. I used to play that old 45 record over and over and from the song came my first idea for a story. I penned it on paper, but instead of writing it in novel form, I wrote it as a play. Back then I had no clue what I was doing. *Laughs*

LTR: I’m not quite sure I know what I’m doing now, and I’m not 15 years old. But that too is another issue.

If you couldn’t be a writer, what would you do with your life?

TABS: I was a nurse for fourteen years until an accident left me physically unable to do the job, that’s when I returned to my first love…writing. So if I couldn’t do that, I don’t know, I’d probably spend a lot of time searching for old coins. Coin collecting is my third passion. *Laughs*

LTR: How about you find some BIG expensive coins to get us some cabana boys? Sounds like a true winner for me.

Do you have a day job that interferes with your ‘real life’ as an author?

TABS: Not anymore. I put my writing on hold for years while I worked and raised a family, but now my time is pretty much my own.

LTR: I am ready for another 10 years when I can make my time my own. And maybe I can become rich and famous and have someone clean the house for me. (Other than my fiance!)

Tell us something unique about yourself that we don’t know.

TABS: Unique? Wow. I don’t think of myself as unique in any way. I love tattoos. And I tend to use them quite a bit to embellish my stories. I have two, one on my right ankle, a heart with a rose entwined through it and a dark blue butterfly on the back of my neck. It’s pretty large, but you can’t see it as long as my hair is down. *Giggles*

LTR: I now have two tattoos. I have a claddah with vines around it. The other is an elf sitting on a mushroom. Stupid things you do when you are 19. *smh* 

Bacon or ham?

TABS: Definitely bacon. It’s just about the only pork I do like.

LTR: I have a severe love for bacon too! I read about a recipe called ‘crack’ bread. Cut a round loaf across, and then across again. Stuff the cracks with cheddar cheese, then bacon, then butter and ranch. Bake in foil for 15 min, then out of foil for 10 min. *sigh*

Chocolate or Jelly Beans?

TABS: Ooo, chocolate. I’m a chocoholic. *Laughs*

LTR: Have you ever had a Canadian Aero bar? OMG – they are heaven. I know that Hershey’s is trying to copy it, just not the same.

Now that we’ve gotten to know you, we need to know where to find you so we can stalk, I mean visit you.


TABS: Anyone can email me at tabshay at gmail dot com/ Or visit my websites at http://www.tabithashay.com/
or http://www.jaydynchelcee.com

It’s been a pleasure to be here. Loved the questions.
Hugs,Tabs/Jaydyn

Update

Hi. I am not posting today but wanted to give you an update. Please look for the Tracy Ames interview that should be here shortly.

5 Great Lines from April Dawn, Crushing Desire

5 Great Lines from April Dawn, Crushing Desire

1

Reena’s hands twisted at her skirt, and she bit her lip, willing
him without a sound to face her. Suddenly, he turned in her
direction and their eyes met. A vibrant shock ran through her
body. She stared at him entranced for a moment. If his hair was
the sandy beach, his blue-grey eyes, the lake on which mysterious
clouds had formed.

2

“What? You know as well as I that the twins are merely courting
me because of their rivalry. I still remember the day in that
alleyway. They fought each other so that each ended with the
other’s head in his arm. It was rather ridiculous.” She grinned at
the memory, in spite of herself. “Anyhow, they are competing for
me. Remember when Uncle Howard had to turn them away when
they started to bring me flowers? It started with a single red rose
from Michael.”
Emily grinned as she grabbed the dress from the bed. “Your
uncle was quite put out with a house full of flowers and poor
Martin on the doorstep with four dozen roses.”

3

“You came to me and said:
‘Excuse me, but could I trick you into sailing to America where
you know no one and then leave you in a gutter with nowhere to
go’?”
She laughed.
“You’ve discovered my plan.” Reena put a hand to her chin
as if in contemplation “Well, I’ll just have to come up with a new
one.” She

4

“Reena closed the book and held it for a moment. She wanted
to get another peek at him. She loved to study Joshua, and when
he didn’t know she was watching, she could really take her time.
Her foot began to tap, and then her leg began to shake. Before Reena
even realized she’d made the decision to move, her book was
on the table, and she stood at the window of her uncle’s study.

5

“No tears now, my love. This is a moment for happiness, love,
and passion.”


Ava Delany
The Fetish Club Series, The Homecoming Series, and The Beginnings Series.
Look for my newest release- A Surprising Day – on Kindle, Allromanceebooks, and many other places where ebooks are sold.

Breaking Through Like the Boss

By Kay Springsteen

“Is a dream a lie if it don’t come true…Or is it something worse?” ~Bruce Springsteen, The River

Bruce Springsteen has long been an iconic superstar in the music business. You might love his music or hate it, but you know who he is and more than likely you’ll recognize at least one of his songs. Born in New Jersey in 1949, he had a life that was fraught with many of the elements and tensions other kids his age grew up with. But instead of letting his family angst get the better of him, he used the emotions he experienced in his music. It wasn’t immediately accepted. Before he made it to the big time with his particular blend of music, he played the bar circuit. His popularity grew and he had moderate success in his early career.

And then he wrote an emotion-packed, story-song that Springsteen refers to as: “A breakthrough song for me. It was in the detail.” The song he refers to is “The River,” and it was based on conversations he’d had with his brother-in-law after the man lost his construction job and was struggling to support his wife and child. The wedding in the song refers to Springsteen’s sister and brother-in-law, who married young. The exquisite attention to the small details and the seamless way Springsteen presented them in the song told an emotional story that haunts the listener in the same way as the broken dreams and faded memories he sings about in the song.

As writers of fiction, we struggle with our creations, too. What to include, what to leave out. How much does the reader need to know? We may have had some moderate successes but maybe we haven’t hit The New York Times top ten yet. So in the meantime, we learn things and practice them…we hone our craft.

It’s no surprise to me that Springsteen’s breakthrough song was “The River.” When Springsteen states the success is in the details, he may have been speaking of all the emotional minutiae of the story that he told from beginning to end—not only did he tell a story but the song conveyed the feelings of sadness and frustration and the longing for happier times. He did this quite well with the words. But he also did it with the way the song is paced, which is, in itself, a detail. The verses that speak of the ongoing story itself are slow and carry a sad flavor. But with the mention of the river and all the carefree memories and sense of youth the river represents, the tempo of the song picks up to a livelier and happier beat.

As romance readers, we feel anxiety to get to the heart of the story, to see the couple come together that first time in a kiss, or a caress in the moonlight. We are restless, wanting to see them work through their issues and come to an understanding. Depending on the heat level we read, we might want the big reveal love scene. Knowing these things are ahead of us is part of what keeps us turning the pages of the book and reading the story.

As romance writers, it is a struggle to not simply skip the preliminary dancing around the mat and get to the center of the ballroom for the big dance. After all, we know what we want when we’re reading a book – to get to the meat of the story. So why not start at the meat and heat?

When we read over our own creation, however, maybe it seems to fall a little flat. It doesn’t produce that same desire to keep turning the page. We may lament and wonder why it doesn’t flow as smoothly or what it’s missing. When I’m asked this question as an editor, the answer in almost every case is the same. The writer moved the couple from encounter to encounter, and gave nothing in between these interactions to show who they are, what’s happening to them as individuals, and what is keeping them apart.

The answer is in the details. Some details the reader needs to know. And some details are part of the overall story. If you leave these out, you risk unbalancing the story. Is it still a make-up love scene if you omit the fight that sets up the need to make up? What to use or leave out is all in the detail of pacing. If you don’t lead your readers along a trail of fear and trepidation, or allow them to remember when they used to be happy, give them a taste of future happiness…if you don’t take the time to build the chemistry between the couple through evoking emotional responses in the readers, when you get to the love scene, you’re shortchanging those readers by showing them just another day in the life of a romantic couple. You’ve removed the C from the GMC (goals, motivation, and conflict), and reduced your readers to nothing more than voyeurs in the lives of ordinary loving couples.

If I could offer new romance authors one bit of advice, it would be to build chemistry between your main characters by setting a pace that will at once interest and frustrate your readers. The balance is tough because you don’t want to send your readers into tearing out their hair saying “get to it already.” But the romantic aspect needs to follow a reasonable progression of time and events. Not only that, but it must take a few back steps that also follow reason. Consider this romance you’re portraying like a sword fight, to include dancing (around the subject), engaging (sometimes nicely, sometimes with a sharp edge to the tongue), parrying (giving back as good as they get), and, well…you get the picture. I promise if you build slowly and evenly, rather than diving headlong into the kissing and sexing, when you finally get your reader there, the explosion of emotion will make an unforgettable read.

It really is in the details – what to include and not include…all the elements that drive the pace.

~Kay (storyteller, editor, and romantic at heart)

Guest Blog – Jill Stone – He’s called spy, covert operative, secret agent, clock and dagger man and he is one of my favorite heroes.

Please help me welcome back one of our old bloggers, Jillian Stone, author of An Affair with Mr. Kennedy (The Gentlemen of Scotland Yard).

What is it about secret agents? Certainly they’re wicked smart, and who doesn’t find a brilliant mind seductive? Often these men are portrayed as sophisticated smooth operators––capable, cunning and deadly sexy. They are also adventurous heroes who are more than a bit…dangerous. There are so many reasons to be attracted to them, and they are also some of my favorite heroes to write!

I’m blogging today about two of my favorite characters, because I wrote them! First, let me tell you about Zeno Kennedy, the man who puts the dash in the dashing Gentlemen of Scotland Yard series and the hero of AN AFFAIR WITH MR. KENNEDY. (debut novel releases January 31). Here’s a quickie-quick blurb: Beneath gaslit streets, anarchists with bombs plot a deadly attack on Victorian London. Scotland Yard operative Zeno ‘Zak” Kennedy’s investigation leads him into the arms of free-thinking impressionist painter Cassandra St. Cloud, whose connection to the terrorists catapults their passionate affair into perilous adventure.

My other favorite character is the hero of THE SEDUCTION OF PHAETON BLACK. Phaeton’s prodigious gifts as a paranormal investigator are as legendary as his skills as a lover, his weakness for wicked women as notorious as his affection for absinthe. But when he’s asked to hunt down a fanged femme fatale who drains her victims of blood, he walks straight into the arms of the most dangerous woman he’s ever known, the very capable cajun beauty, America Jones. This is a super steamy Steampunk mystery romance, set in late Victorian London (releases this April 3rd).

There have been so many wonderful secret agents written over the years, from Jack Bauer (24) to Jason Bourne, from sexy Xander Cage to the sexier (?) Austin Powers! And what about The Avenger’s John Steed and Emma Peel? Or Mr. and Mrs. Smith? And as long as I’m mentioning women, I’d like to do a shout out to the wonderful Le Femme Nikita (foreign film version) as well as Angelina Jolie’s Evelyn Salt.

Any list of secret agents would not be complete without James Bond. Which Bond is your favorite? Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan, Or the attest modern day Bond played by Daniel Craig? Perhaps the best Holmes of all will always be the original written by Ian Fleming and pictured in the mind’s eye! So the question for the day is: Which Bond is your favorite?

To inspire comments I have several giveaways: One commenter will receive their choice of a signed ARC of either AN AFFAIR WITH MR. KENNEDY or THE SEDUCTION OF PHAETON BLACK. In addition, all commenters today will be entered in a special giveaway promotion: Jewelry inspired by the romantic notion of recapturing lost time as the French title ‘Le Temps Perdu’ A Steampunk watch necklace from the Time Travel Collection by Yolanda Pang. Cyber travel to Poetic Designs and see for yourself just how whimsical this watch necklace is Link: http://www.etsy.com/listing/86157293/le-temps-perdu-ii-steampunk-watch

This promotion will be offered over the next month during my blog tour. Each time you visit a different blog and leave a comment your name gets entered again! For a schedule of my interviews and blogs go to contact/press on my website. Good luck everyone!

Jillian Stone

Could the crime of the century lead to the love of a lifetime?
An Affair With Mr. Kennedy
2010 Golden Heart winner for Romantic Suspense
Debut release January 31, 2012 from Pocket Books

Phaeton Black, Paranormal Investigator
The Seduction of Phaeton Black
Available April 3, 2012 from Kensington Brava

Website: http://jillianstone.com

The Gentlemen of Scotland Yard mix business with pleasure in these Victorian Romantic Suspense novels from Pocket Books: An Affair with Mr. Kennedy, January 31, 2012 • An Intrigue with Detective Lewis, August 28, 2012 • A Private Duel with Agent Gunn, Early Spring 2013 And watch for these wild and sexy Steampunk adventures from Kensington Brava: The Seduction of Phaeton Black, April 3, 2012 • The Moonstone and Miss Jones, Early Spring 2013 • The Miss Education of Doctor Exeter, Fall 2013


Thanks for coming by to visit us here at Let’s Talk Romance. It was great to have you back and we wish you the best of luck.

April Dawn, author of Bound by Love and Crushing Desire.