I’ve got all these words in my head that are just screaming to get out. Some are descriptive, emotional, sensual, horrifying, loving. I know you understand what I mean. For us, my dear writer, they are the heart and soul of our work.
There are the types of words we scrutinize: adjectives and adverbs. We search them out and agonize over having too many or too few. We edit, re-write and edit some more. We don’t stop there. We hunt out clichés and overused phrases ripping them out of the pages. And all the while we struggle for originality and that magic that hooks the reader and draws them into our stories. We work until our manuscripts shine with a high polish.
The readers are the witness, the hero or heroine, or whomever they prefer to identify with. It’s the juxtaposition of our words that create the pacing, paints the pictures, strikes the chord, arouses emotions and, for us romance writers, brings the story to a happy ending.
Some words we are eager to hear: the call, published, multi-published, reprint, best seller, finalist, award winning. But I’m getting ahead of myself. More often the words are strung a bit differently: I think the concept of your novel has a lot of potential …, Thank you for giving me the opportunity to read your manuscript …, Thank you very much for your manuscript which I have read with interest …, I think you have a wonderful voice … The ellipse is followed by the same word but. Different words but all with the same meaning, rejected, although I really prefer passed. It is just so much more humane.
I have worked hard on my manuscript. I am well passed my first draft. I have self reviewed and edited, my critique partner has reviewed and commented, at chapter meetings I have brought my five to ten pages for discussion. The version number on my document is in double digits. I know I have the words just right. I just need an editor/agent to love them as much as I do.
Sure I can. I can love them anyway you want them!
Special thanks to David Coverly for permission to reprint his cartoon.
Dave Coverly admits there is no overriding theme, no tidy little philosophy that precisely describes what Speed Bump, his syndicated comic, is about. “Basically,” he says, “if life were a movie, these would be the outtakes.”
These “outtakes” now appear in over 400 newspapers and websites, including the Washington Post, Toronto Globe & Mail, Detroit Free Press, Chicago Tribune, Indianapolis Star, Cleveland Plain Dealer, Cincinnati Enquirer, New Orleans Times-Picayune, St. Louis Post-Dispatch, Vancouver Sun, Baltimore Sun, and Arizona Republic as well as the published “Speed Bump” books.
In addition to his syndicated work, Coverly’s cartoons have been published in The New Yorker, and his cartoons are now regularly featured in Parade Magazine, the most widely read magazine in the world with a circulation of 73 million.
Coverly works out of an attic studio in Ann Arbor, Michigan. He is married to Chris, and they have two daughters, Alayna and Simone.